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Monthly Archives: October 2019

Is It Still Home? My Trip to America – Louisiana 4

24 Thursday Oct 2019

Posted by noreennanz in Uncategorized

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America, Home, Louisiana, Natchitoches, Pilgrimage, Steel Magnolias, travel

Today involves a tour of Northwestern University, where Robert taught until retirement at the Scholars College, a sort of elite college within the university.

Northwestern University Scholars College

He taught there for over twenty years, and still advises students there. What is it about people like Robert and Natalie that I lack? Robert subscribes to the alumni magazine at Macalester College, our alma mater. I made a conscious decision not to be too involved. In any of the places I have ever studied. I think my parents were like that too. Maybe I inherited this indifference from them. I just can’t identify with them.

I remember when I was a high school student and my family had just moved to a new home in a different school district from where I had previously lived. It was, however, very close to where our former school district was, and the school sports teams were rivals. I was talking to another new student and told this person that this school was okay, but the previous school was better. The assistant school principal overheard me and reprimanded me. “Where’s your school spirit?” he said. I had never even considered the concept of school spirit, or loyalty to an organization. I suppose that later led to my hippie phase. But that is all in the past, from another life. Now I am in Louisiana with my former classmate.

Robert tells me there is close collaboration at the Scholars College between professors and students, and that many courses are interdisciplinary. It sounds exciting, like a college I would have loved attending. Everywhere we go, people recognize him, calling “Robert!” joyfully. Many even hug him, and they engage in conversation. This was definitely home for Robert. I see aspects of Robert I had never discovered. I see how he shows affection, interest and respect for everyone he encounters, from the dean of the college down to the black cleaning lady. Everyone seems to love him, and everyone has a kind word and a special message of gratitude for his impact on their lives. I am deeply impressed. We visit the student union, as I did with Natalie, and an honors high school attached to the university. I meet more colleagues and friends. By this time, I think I must have met all of Robert’s friends, and feel honored to be able to meet them all.

After this we walk around Natchitoches, getting to know this town that is apparently quite a tourist attraction. It is just as charming in a different way as Georgetown, Texas was. Lots of red brick homes. We stop and look at the home where the film “Steel Magnolias” with Julia Roberts was filmed. I haven’t seen the film so the house doesn’t mean much to me other than that it appears to be a comfortable southern home.

The home where “Steel Magnolias” was filmed – Natchitoches, Louisiana

The shops are unique, the way a town center ought to be. An upscale hardware store that seems to have all you could ever need. A chocolate shop, gift shops with Louisiana hot sauce and other condiments from the area. I buy some gifts to bring my brother, whom I will visit next week.

We join a friend of Robert’s in a pub. I am the only woman among a bunch of men. One of them looks quite down-to-earth and speaks with a very pronounced, charming gentle southern drawl. He smiles wryly from time to time as he recounts his tale. His accent sounds almost English to me at times. I am mesmerized more by his accent than by his story. Robert tells me later he comes from a very old Louisiana family and that he owns sixteen acres of land. I must have met someone from “southern gentry”. Another friend joins us later. What a lot of socializing gets done here!

I make German pancakes for Robert in the evening and we watch the film “Steel Magnolias”. Now I understand the context of this house. The movie is both funny and sad. I observe that the only black people in the film are servants. I have met only white professors and black cleaning personnel today. Oh yes, the owner of the chocolate shop was black. But generally, the people I meet are white. I think, Germany is more integrated than this. I must say, this separation of groups appears more accidental, a product of socializing and education, than intent. But I do get the sense that the 80 per cent of blacks and 20 per cent of whites living in Louisiana inhabit generally separate worlds, except at the supermarkets and local shops.

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Is It Still Home? My Trip to America – Louisiana 3

13 Sunday Oct 2019

Posted by noreennanz in Uncategorized

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America, Cane River, Clementine Hunter, Louisiana, Melrose Plantation, Natichoches, Tourisim

Robert’s plan for today is a visit to Melrose Plantation. Visiting a plantation is on the top of my priority list for my trip to the South.

When my son was small, and my husband came back from his business trips, I always asked him to bring back something that my son could relate to, something symbolic of where he was. Later on we began collecting these symbols. We have an Eiffel Tower from Paris, the Brandenburg Gate from Berlin, the Colosseum from Rome, and so on. My symbol for the South would be “Tara”, the beautiful antebellum (pre-Civil war) plantation house where Scarlett O’Hara lived, in Margaret Mitchell’s famous novel “Gone With the Wind”. I read the novel in high school and later relived the anguish of watching Scarlett self-destruct in the film. What is it about this story that makes us WANT to watch someone so beautiful cause so much pain and later reap at least as much as she sowed? Some people read the book or watch the movie over and over again. For me, once of each was enough to sear an image of Southern life onto my brain. Now it’s time for me to see if my image is anything like reality.

No sooner are we out of the driveway, than we drive past dozens of the same live oak trees lining the street that I saw in Texas. But the branches of these trees are not naked brownish black. They are dressed in thick, furry green velvety stuff. This strangely beautiful plant is called “resurrection fern”. It clings to all the oak trees I see along our drive. I admire their gentle, muted appearance. With the ferns coating the branches, they look dreamy and romantic. The reason it doesn’t grow in Texas is that the air there is too dry for it to survive. It needs the humidity of air like that in Louisiana to thrive. We also see many magnolia trees in bloom too. February is not a bad time to visit Louisiana!

Live live oak trees with resurrection fern line the streets of Natchitoches. The pink flowering trees are magnolias.

Our drive takes us along the Cane River. Robert explains that it is not really a river anymore, but is a thirty-plus mile-long “lake”, also called “Cane River Lake”, diverted from the Red River.

Cane River in evening light in Natchitoches

We arrive at Melrose. It is white, with the ubiquitous Greek revival pillars supporting the house, but not as grand as I had expected. It is also surrounded by outhouses, seemingly plopped down onto the property, with no roads connecting these buildings to anything. “The Cane River is their road,” Robert explains.

Melrose Plantation
With outhouses like log cabins. Servants lived here.
Melrose, with beautifl flowering magnolia trees gracing the grounds


Live oak trees line the drive at the back of the house, leading to the river.

On the tour, I learn that this plantation was owned and built by a freed slave who was a “Creole of color” – in other words, by someone we would today call “black” or of “African American” descent. And that four generations before the Civil War! I learn that Creoles are anyone of European descent, especially French or Spanish, usually Catholic, and they may or may not have mixed Native American or African American blood. The land on which this plantation was built was owned by Louis Metoyer, one of the sons of French trader Claude Thomas Pierre Métoyer and his common-law wife, Marie Thérèse Coincoin. Marie, now also affectionately called “Coincoin”, was a slave Métoyer lived with for several years before he finally bought her as a slave in order to free her. In those days whites and blacks were not allowed to marry. But there was no law against mating and conceiving. This couple had ten children together, one of whom was Louis. He purchased the land and began to build the house. It was finished by his son after his death in 1833. Many generations of Metoyers lived in this house.

Before Claude Métoyer died, he had purchased and freed five of the children he and Marie had together. At one point he left her and married a white woman. Marie, a freed slave, became an entrepeneur skilled in the healing arts. She bought land and managed to free many of her children, also some born to a man previous to Métoyer.

Two of her children, Louis and Augustin, became especially prominent -and wealthy. Augustin donated land for a church, and he and Louis built the local parish church, possibly the first church in America built by freed slaves for people of color.

Augustin Metoyer, eldest son of Coincoin

I never knew that blacks owned plantations! Or that freed black people, like the Metoyers, also owned slaves. I love how Robert has not given me any spoilers, leaving me to be delighted or surprised. Just when I’m beginning to register the distasteful fact that black ex-slaves could even consider owning slaves, our tour guide says that some think the Metoyers, like the original Métoyer, purchased the slaves in order to free them.

The house is, to me, surprisingly simple. This is not at all sumptuous, not in the least ostentatious! Another surprise. A plantation can be simply farmland and a large house, probably with outhouses. I would not feel comfortable living in this house. It feels drafty, and there seem to be no cozy rooms. There are beautiful hand-made bedspreads, though. https://www.tripadvisor.com/LocationPhotoDirectLink-g40308-d254640-i28605878-Melrose_Plantation-Melrose_Louisiana.html

The house was later to become an artists’/writers’ colony. Anyone could live there as long as they could prove they were working on something. One of the servants there, Clementine Hunter, a Creole of color, lived there from around 1902 until well after the 1939. In 1939 she was able to take paints and brushes left by a visiting artist. She became a self-taught artist and is now the best-known native artist in Louisiana. Some call her the black Grandma Moses. Her paintings depict many of the scenes and daily events she saw and experienced while living at Melrose.

Robert and I visit her tomb, and I get a glimpse of a Lousiana cemetery.

Clementine Hunter, one of Louisiana’s most famous artists
A Louisiana cemetery

By now evening is approaching. Time for a meal. We eat at a nearby restaurant called the “Commissary”. From the outside it looks like a tin shack, but it is apparently a very good, popular restaurant, with genuine Louisiana cuisine. Let’s go!

Cane River Commissary

I have a Creole combo, and we share appetizers and each gets wine. A Creole combo consists of jambalaya, with a lot of sausage, Natichoches meat pies, apparently famous, and Creole fettuccini studded with crawfish. The food is great – unhealthy, mostly fried, but delicious – and very filling. Our conversation is fulfilling.

We drive home stuffed, mellow, me a bit tired, and satisfied. My first plantation was not at all what I had expected, but that’s okay. I’m learning a few things about life in Louisiana as it is, which is quite different from knowledge gained from a novel.

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